Tags

  1. Aesthetic critique

    A disposition which calls for a redefinition of the present aesthetic apparatus-system.

    27 artefacts

  2. Aesthetic modernity

    An aesthetic paradigm, which understand, describes and evaluates the work of art not only in terms of its qualities of absolute beauty but also by its connections to its contextual aspects.

    36 artefacts

  3. Aesthetic perception

    A shared or an individual feeling or sentiment about a particular artwork, which has been elicited by its observation.

    11 artefacts

  4. Aesthetic system or apparatus

    Aesthetic prepositions, movements and perceptions which function as a concerted whole. Such system/apparatus is to be conceived as a network of interrelated parts and positions, not existing independently, but rather as interconnected with each other (and in this case with the regime).

    13 artefacts

  5. Aesthetic theorization

    A reflection on aesthetic matters with the aim at drawing abstract and theoretical conclusions.

    20 artefacts

  6. Anti-liberalism

    A political doctrine and a cultural movement, which opposes to the individualism upheld by Liberalism.

    18 artefacts

  7. Architectural principle

    A specific notion/idea/concept which forms part of a given architectural theorization.

    5 artefacts

  8. Assent

    A disposition towards accepting the status quo in social, political and cultural terms.

    23 artefacts

  9. Autonomy

    An independent, self-standing condition, which implies a degree of separation between two or more given spheres of action.

    13 artefacts

  10. Avant-gardism

    Any artistic movement that promotes innovation, anti-romantic and representational aesthetics and rejection of traditionalism in arts and politics.

    32 artefacts

  11. Bourgeois intellectual

    A type of intellectual who is organic to the middle-classes and is adverse to the changes brought about by revolutionary aesthetics and politics (in this case by the Fascist revolution).

    20 artefacts

  12. Classical tradition

    A tradition which is perceived as informed by composed forms, rigour and order. It does not necessarily, but it might, refer to the Greek and Latin classical civilizations.

    12 artefacts

  13. Collectivity

    Groups of people who share common ambitions and interests and who function, think and act as an organic whole and not as individuals.

    41 artefacts

  14. Consensus

    A more or less forced agreement with the status quo in social, political and cultural terms. Consent is the form of persuasion used in civil society by a class to achieve a hegemonic status.

    51 artefacts

  15. Constructivism

    A particularly severe brand of abstract art founded by Vladimir Tatlin and Alexander Rodchenko in Russia around 1915.

    1 artefacts

  16. Contemporary Art

    Art which is a direct representation of the subject matters of its day.

    4 artefacts

  17. Corporate city (città corporativa)

    New towns built by the Fascist regime with the objective of creating a space, which could accommodate and cater for the needs of modern society and of the new collectivities shaped by the regime’s anthropological.

    9 artefacts

  18. Corporativism

    An economic theory elaborated in the 1927 ‘Carta del lavoro’, according to which the Fascist State did take charge in organising and in dividing society into corporate groups.

    12 artefacts

  19. Cosmopolitanism

    A belief in the belonging of all citizens to a super partes community. In the arts, the belief in the importance of circulations of artefacts above national boundaries.

    6 artefacts

  20. Crisis of the West or Western Civilization

    A particular historical or social junction which calls for a redefinition of what it is to be perceived as the foundational values (political, religious, cultural and social) of the West.

    13 artefacts

  21. Cultural critique

    A disposition which calls for a redefinition of the existing cultural apparatus-system.

    15 artefacts

  22. Cultural modernity

    A conceptual turn which favours the idea of transformation when it becomes synonymous with that of progress within the cultural sphere.

    36 artefacts

  23. Cultural system or apparatus

    A set of cultural prepositions, myths, symbols, and movements which function as a concerted whole. Such system/apparatus is to be conceived as a network of interconnected parts and positions, not existing independently, but rather as interconnected with each other (and in this case with the regime).

    15 artefacts

  24. Dialectic of Fragment-Whole

    The dynamic – and not static – conceptual, formal and aesthetic relationship between a fragment and its overall and overarching settings.

    12 artefacts

  25. Dialectics

    Dialogical exchanges between two or more parts holding different point of view and mutually trying to affirm one over the other.

    5 artefacts

  26. Dissent

    A disposition towards rejecting and critiquing the status quo in social, political and cultural terms.

    1 artefacts

  27. Elite culture

    Cultural products, beliefs and artefacts, which are produced and created to be enjoyed by limited groups of people because of their complexity and sophistication.

    15 artefacts

  28. Escapism

    An aesthetic tendency, which aims to distract the attention from contemporary reality to focus on exotic and unrealistic situations.

    16 artefacts

  29. Fascist architecture

    Architectural practices which took place during the Fascist regime (no ideological, only chronological connotations) as well as architectural practices which aimed at representing the ideology of the Fascist regime.

    7 artefacts

  30. Functionalist architecture

    An architectural movement, which recognises architectural practices as informed by the need to account for the function a building/structure has to fulfil in a given – social, political and cultural – context.

    2 artefacts

  31. Futurist architecture

    An architectural moment which fused rationalist architectural practices with Futurist aesthetics; it was informed by the need to showcase new ideas about technical innovations, to emphasise chromatism over decoration, and to use dynamic lines to convey the idea of moment.

    6 artefacts

  32. Hegemony

    A condition whereby a certain class exercises moral, political, cultural and social superiority over other classes, not only through force but also consent.

    29 artefacts

  33. Heteronomy

    The condition according to which one is influenced by an external force and is therefore not capable, or not suitably placed, to act independently from it.

    4 artefacts

  34. Historicity

    What is to be perceived as historically actual coupled with a sense of historical authenticity.

    25 artefacts

  35. Individuality

    An attitude that gives prominences to individual achievements, goals and aims over those of collectivity.

    24 artefacts

  36. Intellectual engagement

    An attitude that calls for action as transformation of the public spheres thought intellectual and not physical means.

    5 artefacts

  37. International architecture

    Architectural trends and theorizations produced outside of Italy.

    1 artefacts

  38. Internationalism

    A tendency towards the dissemination of ideas, artworks and cultural movements beyond the boundaries of the nation-state.

    26 artefacts

  39. Internationalization

    A process whereby Italian and national culture and politics are actively and strategically spread and promoted internationally.

    24 artefacts

  40. International realism

    The brand of realist fiction produced outside of Italy from the 1920s thought to the 1930s and which spanned high and popular literature.

    6 artefacts

  41. Liberalism

    A political doctrine and a State configuration (namely the Liberal State), which has individual freedom and its preservation as primary aspirations.

    5 artefacts

  42. Mass culture

    Cultural products, beliefs and artefacts, which are designed and produced to be enjoyed by the large sectors of the population.

    30 artefacts

  43. Mechanical reproduction

    A process whereby the work of art looses its individuality and becomes an object of wide consumption.

    17 artefacts

  44. Media manipulation

    The role played by media in manipulating public opinion to achieve consensus and to divulge propagandistic messages to large sectors of the population.

    15 artefacts

  45. Modern architecture

    An architectural trend or movement which rejects previous ones by calling for innovation and changes in architectural practices, often through manifestos and position articles and statements.

    9 artefacts

  46. Modern art

    Art which functions as a vehicle for representing modern times, while being placed in dialectical comparison with the past.

    15 artefacts

  47. Modernist aesthetics

    An aesthetic paradigm which comprises of: 1) the new theorization of the relationship between subjectivity and objectivity; 2) the sacralisation of the new man’s total politics though the arts; 3) the construction of the new man’s urban reality; 4) the new man’s/citizen’s media manipulation; and 5) the legitimization of the artist/intellectual participation in the civic sphere.

    15 artefacts

  48. Modern realism

    A brand of realism which, while returning to the observation of reality and focusing on the social sphere, it also reaffirms the importance of subjectivity (individual and collective) in this process.

    39 artefacts

  49. Monumentalism

    An aesthetic and a political trend which supports the glorification of a political apparatus through the use of aesthetic practices involving large scale, impressive representations of events, actions and people (usually as crowds).

    22 artefacts

  50. Muralism

    The promotion of large scale mural painting, often with a political aim and in public spaces.

    15 artefacts

  51. Nationalism

    A set of ideas, believes and doctrines which claims the importance of the nation and the nation State as supreme guarantors of the national identity of a population and of its historical development.

    23 artefacts

  52. New artist

    An artist who acts during the regime and rejects previous artistic practices as borne out of Liberalism.

    8 artefacts

  53. New intellectual

    The intellectual shaped by the regime who rejects previous political systems, especially Liberalism.

    3 artefacts

  54. New Man

    The new type of Man produced by the anthropological revolution propelled by the Fascist regime; the New Man existed in radical opposition to that generated by Liberalism because of their revolutionary and collective social views, strength, and vitality.

    64 artefacts

  55. New novel

    A renewed literary form, which stands in contrast with the previous ones and adopts new narrative techniques.

    5 artefacts

  56. Objectivity

    A conceptual framework, which sees reality as the main set of data through which to comprehend the world.

    7 artefacts

  57. Political system or apparatus

    A set of political positions, ideologies and theories which function as a concerted whole. Such system/apparatus is to be conceived as a network of interconnected parts and positions, not existing independently, but rather as interconnected with each other (and in this case with the regime).

    7 artefacts

  58. Popular culture

    Cultural products, beliefs and artefacts, which are produced and created to be enjoyed by large groups of people because, they are easily accessible and enjoy commercial success.

    20 artefacts

  59. Private sphere

    Spaces of autonomous activity for the citizens which are free from the influence and the intervention of the State. The existence of such spaces is challenged during dictatorial and authoritarian regimes.

    21 artefacts

  60. Public or civic sphere

    Free, shared spaces, accessible to all citizens and individuals, and distinct from the State where freedom of expression has to be guaranteed to everyone and dialogue on common cultural assumptions fostered.

    50 artefacts

  61. Public spectacle

    Any social and cultural activity performed in a public space to glorify the regime.

    40 artefacts

  62. Rationalist architecture

    An Italian architectural movement of the 1920s and 1930s, which understood architectural practices as informed by the need for rationalizing designs, forms and structures and driven by the idea that architectural design is primarily dictated by the function a building has to fulfil.

    9 artefacts

  63. Realism

    The attempt at representing the subject matters of a work of art in a direct and accurate manner, which discards any form of embellishment or excessive subjectivism.

    11 artefacts

  64. Rhythm

    An aesthetic pattern, which favours the repetition of similar units within the overall economy of the artefact.

    26 artefacts

  65. Sacralization

    An expression of a political religion which aims at building collective social bodies and at controlling the lives of the citizens thought a set of shared values, myths, symbols, archetypes, beliefs, ethics and rituals.

    53 artefacts

  66. Social modernization

    A process whereby the social sphere undergoes varying degrees of structural transformations.

    36 artefacts

  67. Space

    An aesthetic pattern, which gives prominence to the spacial aspect in the overall economy of the artefact.

    16 artefacts

  68. Statalization

    The transferring of proprieties or of spheres of cultural, social or artistic influence onto the State.

    31 artefacts

  69. State art

    The system of the arts which was created by the Fascist regime in order to represent the images, symbols, myths and believes it upheld as fundamental for its own definition and existence within the public sphere.

    69 artefacts

  70. Subjectivity

    A conceptual framework, which perceives the self and the individual as central to the understanding of external reality.

    28 artefacts

  71. Theatre of Myths

    53 artefacts

  72. Totalitarian art

    Art produced during the totalitarian regime and/or art aiming at shaping and controlling the lives of the citizens, often in the form of propaganda.

    64 artefacts

  73. Totalitarian consent

    E form of persuasion used in civil society by a class, regime, or political apparatus to achieve a hegemonic status by establishing total control over the citizens’ lives.

    8 artefacts

  74. Totalitarianism

    A form of political government that seeks total control of all aspects of the lives of its citizens. It is characterized by a strong central rule that attempts to control and direct all aspects of individual life through coercion and repression.

    26 artefacts

  75. Totalitarian realism

    An artistic brand, which seeks to glorify the ideology of totalitarian regimes by deploying realist aesthetic representation to exercise control onto the lives of the citizen.

    13 artefacts

  76. Total work of art

    A synthetic work, which aspires to integrate all its parts into a coherent whole, and dates back to the nineteenth century, with the Wagnerian Gesamtkunstwerk, or Dreikunstwerk, which implied the reunification of all arts.

    22 artefacts

  77. Urbanism

    A conceptual term to define artistic and cultural practices which involve the shape and development of urban settings.

    7 artefacts

  78. Visibility

    A condition whereby an artefact, or a cultural trend, can assume a distinctly visible role or space within the cultural or political apparatus engineered by the regime.

    29 artefacts